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Category: English pieces (Page 10 of 11)

Word theft

It often pops up the last couple of years, my favourite, earlier too often ignored word. Still, they are strange situations in which it finds itself, as if my word is lost, or better put: obducted.

In homeland U.S.A. it was already dwindling. Although in itself lively enough, its meaning was only known regionally there too. Then the American press eagerly introduced it into its columns, treating it like a child labourer. From that moment on the seducing word exploded from the pages in fashion reports. It had to describe bright, often screamingly loud colour combinations, my elegant word, or worse even: fashionable sunglasses or ladies’ purses, outcryingly expensive and, apart from that, horrendous.

My sensual word was also misused on the celebrity pages to describe the behaviour of certain showbizz types bombarded to stardom. Invaribly they were women whose biggest quality was their determination to put their meat on offer as long as it took to be picked up by the paperazzi too. Continue reading

David Brewbaker – A Sign Of Life

Sign Of Life only contains seven songs. In them Brewbaker proves to be a jazzy singer-songwriter with a lazy timing. The versatile guitar player/bass player/keyboardist drew his inspiration from fusion and singer-songwriter, with unexpected changes in tempo and original background vocals. His emotional guitar solos and occasional solos by saxophone player Brian Graham simply wrap this EP up.

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www.davidbrewbaker.com

Kenny White – Symphony In 16 Bars

Personal tradition.

White’s two previous CDs were not released here, but were, just like this third, the result of his late vocation. Previously the New Yorker mostly wrote music for commercials and played sessions for amongst others Shawn Colvin and Peter Wolf, whose Fool’s Parade and Sleepless he also produced.

Musical acquaintances from the circles of Paula Cole, Joe Henry, Norah Jones and Bob Dylan played, amongst whom drummer Shawn Pelton and Larry Campbell, here on guitars.

Keyboardist/guitarist White writes sometimes swinging rootsy songs with supple melodies, occasionally furnished with moody horns, just like colleague New Yorker Marc Cohn does. Continue reading

Harry Manx & Kevin Breit – Jubilee

Fest.

Canadian blues man Harry Manx was already never to be pigeon-holed on his two solo CDs: he writes, plays the banjo, the acoustic slide and the National steel guitar. Apart from that,  Indian V. M. Bhatt’s ex pupil also plays the Mohan Veena invented by the latter, an Indian twenty string cross between a sitar and a steel guitar.

At a folk festival he jammed with versatile guitarist Kevin Breit, who played for Cassandra Wilson, Holly Cole and Janis Ian amongst others, but who recorded instrumental CDs solo too, with percussionist Cyro Baptista and with Sisters Euclid.

In these fourteen songs the two found each other: they blend blues and folk with jazz and country, a touch of Indian music and a firm dose of singer-songwriter. Continue reading

Abstination

Some music embraces you in a friendly way, other music takes possession of you. The songs fill a hole that you did not know. You have to hear them, every day, over and over again, because you already miss them before they have finished.
Then habit formation comes creeping in. You already know what still has to come: that thorny, addictive production that underlines the lyrics so perfectly. About music, once his first love, about inspiration, loss and saying goodbye. About loyalty and love, anger, about getting back from a prospectless position and going on, despite everything.
Of course, meanwhile you sing along with them. Continue reading

The way it was

You do still remember the way it was, before Katrina? How the sunlight spat off the low wooden houses, off the yellow ones just as much as from the blue ones and the red ones? How the heat stretched itself languidly in the early morning already, in streets that were called Indepence, Piety and Desire? You do still remember how we had to ride our bikes around the cracks in the tarmac, some as big as potholes and so deep that my front wheel disappeared in one completely one time? Continue reading

Dennis Cavalier – Blue Orleans

www.denniscavalier.com

Rootsy piano pop.

Dennis Cavalier was the most striking artist on the tribute From The Lone Star To The Gulf Coast with his piano solo Fess It Up and the funking New Orleans Rising, recorded with band and horns. In that first song he paid homage to Professor Longhair in lyrics and style quotes in a humoristic way. He combined that with a rounded melody, just like in his other song and, in doing so, closed the often yawning gap between roots and pop music. He mixes these same elements twelve times on his first solo CD, that was released recently, despite a copyright dated 2000. Continue reading

Harry Bodine – Which Way Home

www.harrybodine.com

Go, Harry, go!

Texan Harry Bodine made two CDs with a mixture of southern rock, blues, soul and funk with singer Michael Milligan as Delta Roux. Now Bodine surfaces again with nine new songs and two drastically changed ones from their first group effort.
Musically he once again crosses the entire South, from Austin to the Mississippi Delta and from Memphis to New Orleans in contagiously swinging medium-tempo songs and ballads. Continue reading

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